Minaj responded to the lawsuit in February 2019. In response to Rolling Stone, citing the response, Minaj argued the interpolation was protected by honest use. She reportedly claimed Chapman has “not correctly registered her declare to the copyright within the Composition [‘Baby Can I Hold You’].” Per the outlet, she subsequently alleged Chapman does not personal the “copyright in problem and subsequently lacks standing to carry the claims alleged within the Grievance.”
By way of the creation of “Sorry,” Minaj’s staff defended it.
“[I]n the method of creation, nobody approaches the unique songwriter (the ‘rights holder’) for a license to experiment,” Minaj’s courtroom transient learn, per The Hollywood Reporter. “The musicians simply experiment. If one thing works, and the recording artist desires to launch the music commercially, then the file label, managers, and attorneys become involved and search the required permission. Whether it is granted, the recording is commercially launched. If permission is denied, the recording is discarded; nobody is harmed; and the experimentation begins anew.”
“Recording artists require this freedom to experiment, and rights holders respect the protocol as nicely,” the transient continued, per the outlet. “Typically, the rights holder doesn’t wish to merely approve a use within the summary–i.e., ‘any hip hop model of your music.’ The rights holder desires to listen to the precise model earlier than giving her permission. The plaintiff right here, Tracy Chapman, desires to show this course of on its head.”